Celebrities Under Mind Control25/08/2013 01:11
If you believe that slavery is a thing of the past, you are still a slave. The continuity of the practice of slavery on planet earth is staggering. The idea of owning another person is as old as civilization itself, going all the way back to ancient Sumer. Predating all other forms of coerced labor, not only is it ancient, but it is oh, so contemporary…and fashionable!
When Bob Marley sings about slavery, he calls it the Babylon System and hits the nail on the head. The Bible calls Nimrod, the King of Babylon “a great hunter before the Lord.” According to archeology and biblical context, the word “hunter” translates to plunderer or conqueror. Nimrod was immortalized not for his skill in hunting beasts, but in the success of his slave trading and the hunting of men to establish his imperial kingdom of tyranny. Nimrod hunted men and brought them into bondage to Babylon and forced them to build him a great tower to piss off Yahweh. The foundation of Babylonian society was the slave population; the necessary component of all mass economic activity. The sources of their slave supply were endless. Military conquests furnished many; others had fallen from the position of free laborers; still others were purchased from abroad, or were children of native slaves. Nimrod’s Babylon is associated with slavery, military and economic power, seduction, and worship of the state.
If you want to see the Babylon system at work today, look no further than Hollywood. Every year the Academy Awards are held in the heart of downtown Hollywood at the Kodak Center. Adjacent to the theater is the Hollywood and Highland Center called the Babylon Courtyard. Its décor is taken straight from a 1916 movie about ancient Babylon called Intolerance. Four story columns topped with standing elephants surround an archway depicting two curious characters. The figure on the left holding the basin of water is Enki, one of the Annunaki brothers who were gods of the ancient Sumerians that came to earth to genetically engineer a slave race. Enki is also known as Ea and is usually distinguished from other gods by two streams of water erupting from his body, or from a pot held in his hands. The figure on the right is the Assyrian god, Nisroch. Both of these gods were usually depicted holding a pinecone like object, believed to be an ancient depiction of the pineal gland, however, in the Hollywood version the glands are strangely absent.
The most famous of slaves were the Jews of Babylon, so it is ironic that their own empire of Hollywood is founded on slavery. During Hollywood’s golden age of the 1920’s and 1930’s, major studios spent a considerable amount of money to help locate, establish, and groom their legendary celebrities. The studio did as much as possible, even dictating social activities and personal relationships to ensure proper exposure of their best stars. The process of becoming a star invaded every aspect of a person’s life. These actors essentially became the property of the studio once they signed a contract. Remember, the foundation of black magic is the pact or contract. Actors and actresses operated on strict contracts and this situation kept the power in the studio’s hands. An actor’s contract also entitled the studio to assign them to any role it chose, as well as loan out its stars to other production companies. Because of this, stars very often found themselves playing roles they weren’t too crazy about. Actors of the studio really had no power or control over their own careers; their futures were at the mercy of the studio that signed them. With strategic planning and decision making that took place at the highest levels of studio management, they built unknowns into household names.
Babylon’s legacy of blood sacrifice, human trafficking and slavery has been handed down through the generations. It exists today through a practice of slaves creating slaves called trauma-based mind control victims. Survivor of generational Satanic ritual abuse, Jay Parker, recalls a story his mother once told him about the Statue of Liberty. She told Jay that it was, in fact, Semiramis, wife of Nimrod. She said that their tradition of ritual abuse to create slaves was the religion with no name, “the old religion” from the time of Babylon.
Today, if an artist wants to “make it” or have their art shared with the rest of the world, there are many gatekeepers and processes of dark initiation that they must pass through. Many times artists, through their work, spell out exactly what they must go through in the name of fame. In her thirteen minute music video, Marry the Night, Lady Gaga explains, in an artistic way, the trauma she is made to endure to become a super star. In the beginning, Gaga delivers a monologue that defines the plight of a mind control victim. While lying on a stretcher that is pushed by two nurses, she describes the way she perceives reality and only by escaping into her own world is she able to go on:
“When I look back on my life, it’s not that I don’t want to see things exactly as they happen, it’s just that I prefer to remember them in an artistic way. And truthfully, the lie of it all is much more honest, because I invented it. Clinical psychology arguably tells us that trauma is the ultimate killer. Memories are not recycled like atoms and particles in quantum physics. They can be lost forever. It’s sort of like my past is an unfinished painting and, as the artist of that painting, I must fill in all the ugly holes and make it beautiful again. It’s not that I’ve been dishonest, it’s just that I loathe reality.”
The creepy nurse that attends to Gaga after her trauma session says, “I remember when I delivered you.” A clue about how slaves are conditioned from birth from inside their circle of friends and family. When the camera pans out, it shows that Gaga is not alone. She is in a ward filled with victims who are going through the same conditioning. In the video, the transformation from the real Stefani to her alter, Lady Gaga, is symbolized by the dying of her hair blonde. Ritual abuse survivor and Mother of Darkness, Arizona Wilder, explains that the dark occultists prefer their ritual goddesses blonde. In the context of the video, the expression “marry the night” takes on a metaphysical meaning. Marriage is a binding religious ritual. To marry the night means that Gaga is bonded to the elite occult slave masters and embraces her own “dark side”.
The Britney Chronicles
Britney Spears’ career is a perfect case study of trauma-based mind control in the entertainment industry. From Lolita/kitten themes to group sex to Mars and clone labs, practically every aspect of MK ULTRA programming can be witnessed in her career. When her music videos are watched in chronological order, they tell a horrific story of never ending enslavement.
Britney has been a performer since her childhood days of Disney’s Mouseketeers and won many pageants and talent competitions in the vein of Toddlers and Tiaras. Her 1998 first hit single, Hit Me Baby One More Time, is an obvious reference to physical abuse and identification with her handler and she appears in a uniform similar to a catholic schoolgirl.
The Babylonian Mystery Religion eventually became the Roman Catholic Church and factions of the church are at the root of the mind control network. Survivor Cathy O’Brien’s formal induction as a presidential model mind controlled slave began with her first Holy Communion where she was given the “Rite to Remain Silent.” She received a Rosy Cross necklace which would lead her through the rest of her mind controlled existence. Her abuser told her he worked for the Vatican and now, so did she. The Rite to Remain Silent is anchored in the “Vow of Silence” performed by the Jesuit monks. At the end of the music video Britney awakens from her disassociation to find that the entire scenario was all in her imagination. This becomes a common theme in many of her videos.
In the 1999 video, You Drive Me Crazy, Britney co-stars with Nickelodeon star, Melissa Joan Hart otherwise known as Sabrina the Teenage Witch. The setting is a factory for mass producing slaves. Common lyrics of her songs include the mind control themes of being lonely, losing her mind, losing her senses or going crazy. That same year she released Born to Make You Happy – a reference to the generational programming that usually begins before birth. The video opens with Britney dreaming/disassociating on a bed made of two cubes. She’s wearing a shirt covered in Monarch butterflies. In the world of dark occultism, the double cube, or hypercube represents an inescapable prison and the butterflies represent the genetic memories pass through the bloodline. Britney is related to Laura Bush, after all.
In 2000, Britney’s masters released the video, Oops I Did it Again, in which Britney is shown laying on a bed made of two eight-pointed stars that represent Inanna/Ishtar, the goddess of Babylon. Sacred Prostitution and hermaphroditic bodies and feminine men were particularly involved in the worship and ritual practices of Inanna’s temples. Inanna, Sumer’s “Queen of Heaven”, unlike any other deity, has the ability to descend into the netherworld and return again to the heavens. Many girls in the industry are led from innocence to the pit of Hell, and “back again” in honor of Inanna. The interlude of the this video is the most bizzare. An astonaugt meets Britney and she removes his helmet and to his surprise there is an atmosphere on Mars! He hands her a chunk of black stone. Britney exclaims, “But I thought the old lady dropped it into the ocean in the end?”– a reference the Heart of the Ocean necklace from Titanic. The astronaut says, “Well baby, I went down and got it for you.” In the Babylonian story of creation, the god Marduk battles the goddess Tiamat, who is the ocean deified. She is often seen to represent a female principle, whereas Marduk stands for the male principle. Marduk is victorious, kills Tiamat, and creates the world from her body.
As mega rituals were unfolding in 2001, Britney Spears blatantly sang I’m A Slave 4 U declaring once and for all who is controlling her. At her VMA performance of the song, she dances with a giant python on her shoulders. Scenes from a black mass of the Church of Satan look strikingly similar. In 2003, Britney became a fully grown woman and an industry veteran when she teamed up with Madonna to sing Me Against the Music, another video that ends with her waking up from disassociation. Her “consecration” into the Babylonian industry was celebrated in a symbolic performance during the 2003 VMAs, alongside fellow Mouseketeer, Christina Aguilera, where the two were wed to “Hollywood” by the Kabbalistic High Priestess, Madonna.
In her very next video, Toxic (2004) she appears as many different characters while playing a spy in some sort of weird espionage scenario. In mind control victims, the Delta alters are programmed to carry out assignments such as assassinations. Lady Gaga continues this assassination theme in her video, Paparazzi, when she poisons her boyfriend to death while dressed in a Mickey Mouse costume.
In the 2004 video, Everytime, Britney is shown drowning in a hotel bathtub. The scenario was chillingly close to the death of Whitney Houston at the Beverly Hilton in 2012. In her bathtub scene, she is wearing a Kabbalah bracelet. According to many mind control survivors, the Tree of Life from the Kabbalah is a structure that programmers use to house different alters. When Britney ‘dies’ in the bathtub, she is born again as a baby in a hospital. Could this possibly be an Aleister Crowley Moonchild reference? Once again, at the end of the video, she wakes up as if it was all a dream.
In 2004 Britney embarked on a world tour called The Onyx Hotel. It was described as a “unique, mysterious hotel powered by an onyx stone, where guests who enter shine their own light into the gemstone and make their fantasies come to life. It’s a vibrant, whimsical place where wondrous dreams are realized, and the darkest of secrets are revealed.” The tour was marketed to a different demographic than her previous tours, changing from families and children to a more adult audience and the show also heavily targeted the gay market. Britney told MTV that “The onyx stone is kind of symbolic of what guides me in my life, like there’s a bigger picture in everything, and there’s something that guides you where you need to go.” The onyx stone has a deep occult significance. According to Fritz Springmeier’s work, The Illuminati Formula to Create an Undetectable Total Mind Control Slave, black onyx is used by the Mothers of Darkness to capture souls.
The concert begins when the master of ceremonies, a creepy, belligerent, one eyed cross between Fat Bastard and RuPaul, welcomes spectators to the Onyx Hotel. He takes an onyx and throws it into the video screens, causing a virtual chandelier to fall into the floor. Britney’s face appears on the giant screen and says “Once you check in, you can’t check out.” In a pre-recorded video interlude during the concert, Jada Pinkett Smith morphs through from another dimension to lead Britney down a dark alley to reveal a secret doorway to the “Mystic Lounge.” In the next act, there is a video interlude of Spears wearing a ribbon and flowered-themed dress and entering the “Mystic Garden”. In mind control, alters are created called Ribbons, which are the beginning of the Luciferian alter-like demons. Ribbons live in the garden and guard the System’s “Garden of Eden.” They are primarily the message bearers to the different, levels and alters. The ribbons might have angelic names such as Michael or Gabriel.
In 2006, Britney posted a repeated loop of her song “Rebellion” on her website even though it was not a single. In the song, she talks of people close to her using poison and voodoo. Was this the beginning of her realization? In 2007, she released an album called Blackout just as her programming began to deteriorate. This is the same year that Britney had her infamous breakdown. Survivors report that when victims of mind control approach 30 years old, their brain attempts to break the amnesiac barriers and reintegrate itself. First, she dyed her hair dark brown. She then walked into Esther’s Hair Salon and demanded to have her head shaved. The owner told Britney that she would not shave her head and Britney took the shears and did it herself. When Arizona Wilder told David Icke of her escape from the Mothers of Darkness she said that she had dyed her hair brown to be removed as the ritual goddess of the order. When this wasn’t enough to keep her out of the rituals, she then shaved her head. When Britney was asked why she did it, she replied that she was tired of people touching her and she didn’t want them plugging things into her. She had been in and out of “rehab” before the salon incident. After she shaved her head, she checked into Promises clinic in Malibu where she terrified staff by scrawling 666 onto her bald head, screaming she was the Anti-Christ and then attempting to hang herself with a bed sheet. Nickelodeon star, Amanda Bynes, has exhibited some of the same bizarre behavior this year.
Even after all that, she had still not been able to break free, neither was she allowed to take a break. Her handlers stuck her in a blonde weave and a sparkly black bikini and sent her back on stage to lip-synch with auto-tune for her supposed “comeback” on the 2007 VMA’s.
In January 2008, TMZ.com reported: “Sources are now painting a very disturbing picture of Britney Spears, or whoever she happens to be at any given moment. We’re told the whole British accent thing — well, it’s more than an accent. Britney has multiple personalities, including, as people in her life call it, “the British girl.” We’re told when Spears loses the British personality, she has absolutely no idea what she did during the time she assumed that personality. Sources say Brit has a number of other identities, where she becomes “the weepy girl, the diva, the incoherent girl,” and on and on. Sources say Britney had become the British girl the day she didn’t show for her deposition and has no recollection of it.”